![]() A gangster flick where the gangsters chat about cheeseburgers and enter twist contests at kitschy diners? Where the narrative is like a smashed jigsaw puzzle put back together out of order? With the guy from Look Who’s Talking starring as a slick-talking, suit-wearing hitman? That’s a movie that can make money, win Oscars and spin off so many imitators it’s practically a genre unto itself? Turns out, it could it just took an over-caffeinated ex-video store clerk with the right amount of irrational confidence to make it happen. ![]() Like Nirvana and The Sopranos in their respective mediums, Quentin Tarantino’s second feature arrived in the waning years of the 20th century and felt, at once, like a culmination of cinema’s first hundred or so years and an explosion of everything we thought we knew about film. And as it turns out, working for the mafia isn’t much different than any other job - you spend 30 years busting your hump to climb the ladder, only to end up face down on a bloody carpet in some tacky house in the burbs. Where Coppola went inside the walls of organised crime’s one percent, Scorsese’s gangsters are more blue collar. ![]() ![]() And for a movie about violent career criminals, it’s also strangely relatable. Certainly, the former is more easily rewatchable, owing to its breakneck pacing – its two and a half hours (and three decades) just whiz by. Based on the true life of mobster Henry Hill, Goodfellas was born in the shadow of The Godfather, but as the years go on, the question of which is more influential becomes mostly a matter of generation. ‘As far back as I can remember, I always wanted to be a gangster.’ Ray Liotta’s opening line is the crime movie equivalent of ‘Once upon a time…’, and what follows is Martin Scorsese’s version of a fairy tale – the story of a starry-eyed Brooklyn kid who realises his boyhood dream and still comes out a schnook in the end. □ The most deserving Oscar winners of all-time Written by Abbey Bender, Dave Calhoun, Phil de Semlyen, Bilge Ebiri, Ian Freer, Stephen Garrett, Tomris Laffly, Joshua Rothkopf, Anna Smith and Matthew Singer We just hope it gets you talking, and more importantly, watching. It won’t satisfy everyone, we know – but that’s not our intention. Because we’ve made sure to cover a lot of ground: over 100 years, multiple countries, and just about every genre imaginable, from massive blockbusters to intimate cult films, silly comedies to bloody horror, action-packed thrillers to thrilling action flicks. And if you’ve already seen everything here, and disagree with our choices, take it as a way to challenge your own canon. If you’re a freshly minted film buff looking to fill in the gaps of your movie knowledge, think of this as a well-informed roadmap. Instead, consider it a jumping-off point. Do not, however, think of this as us thrusting our opinions down your throat. We’ll argue vigorously for our picks, in a way that might tick some of you off. But as you might surmise, we feel pretty strongly about movies over here. We’re not so arrogant to think that this is the be all and end all of the GOAT film discussion. Rather, it’s a means of shaking up the conventional wisdom, introducing different perspectives on how greatness is defined and sparking passionate debate among the readership.Īnd so it goes with our list of the greatest movies ever made. Whenever a new ‘best of all time’ list is published, it’s typically not meant as some grand proclamation solidifying that art form’s greatest achievements.
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